Thursday, September 30, 2010
Babe Ruth in baseball uniform, holding baseball bat.
Notes:
* J242488 U.S. Copyright Office.
* Signed on image: "Yours truly "Babe" Ruth."
* No. 6.
This Image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1923 are copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1920), are now in the public domain.
Wednesday, September 29, 2010
Halloween Trick or treat in sweden
Description: Halloween Trick or treat in sweden.jpeg. English: Trick or Treat in Sweden. Svenska: Bus eller godis i Sverige. Date: 31 October 2005(2005-10-31) Source: Own work. Author: ToyahAnette B I (ToyahAnette B), the copyright holder of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible: I (ToyahAnette B) grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law. |
Tuesday, September 28, 2010
Ted Williams Boston Red Sox
Permission: This work is in the public domain because it was published in the United States between 1923 and 1963 with a copyright notice, and its copyright was not renewed.
Baseball Digest: This image or file was extracted from an issue of Baseball Digest published before January 1, 1964. A search of the following sources:
- The United States Copyright Office Online Catalog for records from 1978 to the present
- Project Gutenberg transcriptions of copyright renewal records for 1950 to 1977
Monday, September 27, 2010
Prince, an Alaskan dog, carrying utensils on his back
Title: Prince, an Alaskan dog, carrying utensils on his back. Other Title: "Prince," Seward, Alaska |
Rights Advisory: No known restrictions on publication.
Access Advisory: No known restrictions on reproduction. Call Number: LOT 11453-1, no. 51 [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA.
Notes:
* Title transcribed from caption accompanying item.
* Photo by Gordons.
* Forms part of: Frank and Frances Carpenter collection (Library of Congress).
* Gift; Mrs. W. Chapin Huntington; 1951.
Sunday, September 26, 2010
Modern Sukkot Structure
Modern Sukkot Structure at alibaba glatt kosher restaurant 515 Amsterdam Avenue (between 84th & 85th) New York, NY 10024-3906. Image License: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law. |
Saturday, September 25, 2010
Richard M. Nixon John F. Kennedy first televised presidential candidates debate
Senator John F. Kennedy debates Vice President Richard M. Nixon in the first televised debates, 1960. Credit: National Park Service. |
Ownership: Information created or owned by the NPS and presented on this website, unless otherwise indicated, is considered in the public domain. It may be distributed or copied as permitted by applicable law.
Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.
Friday, September 24, 2010
Sukkot Structure
Sukkot single thread structure at the Jewish Community Center in Manhattan. The Samuel Priest Rose building 334 Amsterdam ave. at 76th st, New York, NY.
The JCC is proud to present "Single Thread," one of 12 finalists in the Sukkah City design competition that was held in Union Square on September 19th and 20th. Designed by Matter Practice in Brooklyn, this modern sukkah ("hut") was constructed by threading a single wire around intersections of a temporary bamboo scaffold.
Image License: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
If This image is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.
Happy #sukkot #sukkah image/editing/editing The Greenhouse of Ein Shemer, the large vertical farm features an algae cultivation wall that uses repurposed water bottles and a hydroponic garden full of fruits, herbs and vegetables. Designed by Israeli artist and environmentalist Avital Geva, the installation highlights the benefits of alternative farming through the celebration of shmita, the Jewish farming hiatus that forbids traditional agricultural practices in favor of resting the land for one year.
The JCC is proud to present "Single Thread," one of 12 finalists in the Sukkah City design competition that was held in Union Square on September 19th and 20th. Designed by Matter Practice in Brooklyn, this modern sukkah ("hut") was constructed by threading a single wire around intersections of a temporary bamboo scaffold.
Image License: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
If This image is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.
Happy #sukkot #sukkah image/editing/editing The Greenhouse of Ein Shemer, the large vertical farm features an algae cultivation wall that uses repurposed water bottles and a hydroponic garden full of fruits, herbs and vegetables. Designed by Israeli artist and environmentalist Avital Geva, the installation highlights the benefits of alternative farming through the celebration of shmita, the Jewish farming hiatus that forbids traditional agricultural practices in favor of resting the land for one year.
Thursday, September 23, 2010
Lauren Hutton Fashion's Night Out at Giorgio Armani Madison Avenue
Lauren Hutton Unedited JPG | Fashion icon Lauren Hutton at the Giorgio Armani NY celebration of Fashion's Night Out at Giorgio Armani Madison Avenue on Friday. September 10, 2010 in New York City. |
If This image is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.
Tuesday, September 21, 2010
Benedict Arnold
Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1879) are now in the public domain.
This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Henry Bryan Hall (1808-84), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.
This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Henry Bryan Hall (1808-84), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.
Monday, September 20, 2010
George Michael Steinbrenner III
www.archive.org/details/GeorgeSteinbrenner1930-2010
Date: 2008. Author: New York Yankees and MLB.
This file has been (or is hereby) released into the public domain by its author, MLB and Archive.org. This applies worldwide.
In case this is not legally possible: MLB and Archive.org grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
This image, which was originally posted to www.archive.org, was reviewed on 5 August 2010(2010-08-05) by the administrator or trusted user MGA73, who confirmed that it was available there under the above license on that date.
Date: 2008. Author: New York Yankees and MLB.
This file has been (or is hereby) released into the public domain by its author, MLB and Archive.org. This applies worldwide.
In case this is not legally possible: MLB and Archive.org grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
This image, which was originally posted to www.archive.org, was reviewed on 5 August 2010(2010-08-05) by the administrator or trusted user MGA73, who confirmed that it was available there under the above license on that date.
Sunday, September 19, 2010
Black Vulture, or Carrion Crow Cathahtes Athatus, Wilson
This Image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1923 are copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1840) are now in the public domain.
This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case John James Audubon (April 26, 1785 – January 27, 1851), and that most commonly runs for a period of 50 to 70 years from December 31 of that year.
This bird is a constant resident in all our southern States, extends far up the Mississippi, and continues the whole year in Kentucky, Indiana, Illinois, and even in the State of Ohio as far as Cincinnati. Along the Atlantic coast it is, I believe, rarely seen farther east than Maryland. It seems to give a preference to maritime districts, or the neighbourhood of water. Although shy in the woods, it is half domesticated in and about our cities and villages, where it finds food without the necessity of using much exertion.
Charleston, Savannah, New Orleans, Natchez, and other cities, are amply provided with these birds, which may be seen flying or walking about the streets the whole day in groups. They also regularly attend the markets and shambles, to pick up the pieces of flesh thrown away by the butchers, and, when an opportunity occurs, leap from one bench to another, for the purpose of helping themselves. Hundreds of them are usually found, at all hours of the day, about the slaughterhouses, which are their favourite resort. They alight on the roofs and chimney-tops, wherever these are not guarded by spikes or pieces of glass, which, however, they frequently are, for the purpose of preventing the contamination by their ordure of the rain water, which the inhabitants of the southern States collect in tanks, or cisterns, for domestic use.
They follow the carts loaded with offal or dead animals to the places in the suburbs where these are deposited, and wait the skinning of a cow or horse, when in a few hours they devour its flesh, in the company of the dogs,, which are also accustomed to frequent such places. On these occasions they fight with each other, leap about and tug in all the hurry and confusion imaginable, uttering a harsh sort of hiss or grunt, which may be heard at a distance of several hundred yards. Should eagles make their appearance at such a juncture, the Carrion Crows retire, and patiently wait until their betters are satisfied, but they pay little regard to the dogs.
When satiated, they rise together, should the weather be fair, mount high in the air, and perform various evolutions, flying in large circles, alternately plunging and rising, until they at length move off in a straight direction, or alight on the dead branches of trees, where they spread out their wings and tail to the sun or the breeze. In cold and wet weather they assemble round the chimney-tops, to receive the warmth imparted by the smoke. I never heard of their disgorging their food on such occasions, that being never done unless when they are feeding their young, or when suddenly alarmed or caught. In that case, they throw up the contents of their stomach with wonderful quickness and power.
The Carrion Crows of Charleston resort at night to a swampy wood across the Ashley river, about two miles from the city. I visited this roosting place in company with my friend John Bachman, approaching it by a close thicket of undergrowth, tangled with vines and briars. When nearly under the trees on which the birds were roosted, we found the ground destitute of vegetation, and covered with ordure and feathers, mixed with the broken branches of the trees. The stench was horrible. The trees were completely covered with birds, from the trunk to the very tips of the branches.
They were quite unconcerned; but, having determined to send them the contents of our guns, and firing at the same instant, we saw most of them fly off, hissing, grunting, disgorging, and looking down on their dead companions as if desirous of devouring them. We kept up a brisk fusilade for several minutes, when they all flew off to a great distance high in the air; but as we retired, we observed them gradually descending and settling on the same trees. The piece of ground was about two acres in extent, and the number of Vultures we estimated at several thousands. During very wet weather, they not unfrequently remain the whole day on the roost; but when it is fine, they reach the city every morning by the first glimpse of day.
The Carrion Crow and Turkey-Buzzard possess great power of recollection, so as to recognise at a great distance a person who has shot at them, and even the horse on which he rides. On several occasions I have observed that they would fly off at my approach, after I had trapped several, when they took no notice of other individuals; and they avoided my horse in the pastures, after I had made use of him to approach and shoot them.
Saturday, September 18, 2010
Alice with a golden crown
Image by Peter Sheaf Hersey Newell March 5, 1862 – January 15, 1924, American artist and author, born in McDonough County, Illinois. Newell often illustrated the works of other authors, such as Mark Twain, Stephen Crane, John Kendrick Bangs, and Lewis Carroll.
This Image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1923 are copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1902) are now in the public domain.
This file is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris in this case Peter Sheaf Hersey Newell March 5, 1862 – January 15, 1924, and that most commonly runs for a period of 50 to 70 years from December 31 of that year.
Friday, September 17, 2010
Manfred von Richthofen
Thursday, September 16, 2010
The Battle of Harlem Heights
The Battle of Harlem Heights from a 19th century print engraved by J C Armytage after Alonzo Chappel (March 1, 1828 - December 4, 1887)
JC Armytage (1820–1897) James Charles Armytage was an English engraver, born in London.
In addition to his engravings of landscapes he made many others of historical and military scenes as well as portraits JC Armytage (1820–1897) of celebrated personalities of Victorian England.
The Battle of Harlem Heights was fought during the New York and New Jersey campaign of the American Revolutionary War. The action took place in what is now the Morningside Heights and west Harlem neighborhoods of Manhattan in New York City on September 16, 1776.
This Image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1923 are copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923, are now in the public domain.
This image is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris) in rhis case JC Armytage (1820–1897), and that most commonly runs for a period of 50 to 70 years from the last day of that year.
JC Armytage (1820–1897) James Charles Armytage was an English engraver, born in London.
In addition to his engravings of landscapes he made many others of historical and military scenes as well as portraits JC Armytage (1820–1897) of celebrated personalities of Victorian England.
The Battle of Harlem Heights was fought during the New York and New Jersey campaign of the American Revolutionary War. The action took place in what is now the Morningside Heights and west Harlem neighborhoods of Manhattan in New York City on September 16, 1776.
This Image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1923 are copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923, are now in the public domain.
This image is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris) in rhis case JC Armytage (1820–1897), and that most commonly runs for a period of 50 to 70 years from the last day of that year.
Wednesday, September 15, 2010
Texas Longhorn (cattle)
Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.
Tuesday, September 14, 2010
Isadora Duncan dancing
Title: Isadora Duncan dancing JPEG (20kb) || JPEG (60kb) || TIFF (12.8mb) Creator(s): Genthe, Arnold, 1869-1942, photographer Date Created/Published: between 1916 and 1942; from a negative taken between 1916 and 1918. Medium: 1 slide : lantern ; 4 x 5 in. or smaller. Part of: Genthe, Arnold, 1869-1942. Arnold Genthe Collection (Library of Congress). Negatives and transparencies. Reproduction Number: LC-USZ62-126327 (b&w film copy neg.)
Rights Advisory: No known restrictions on publication.
Call Number: LC-G4085- 0053 [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Notes: Title devised. Purchase; Genthe Estate; 1942 or 1943. ID: LC-G401-9093 (vd# 6859) Format: Lantern slides. Collections: Genthe Collection
Women's History Month: Isadora Duncan dancing. Creator(s): Genthe, Arnold, 1869-1942, photographer. From a negative taken between 1916 and 1918.
editing by sookietex More about this image and story at Public Domain Clip Art - http://publicdomainclip-art.blogspot.com/2010/09/isadora-duncan-dancing.html
Isadora Duncan's fondness for flowing scarves (as seen in this image) was the cause of her death in an automobile accident in Nice, France, on the night of September 14, 1927, at the age of 50.
Duncan was a passenger in the automobile of Benoît Falchetto. When Falchetto drove off Duncan's large hand-painted silk scarf from the Russian-born artist Roman Chatov draped around her neck and became entangled with one of the vehicle's open-spoked wheels and rear axle braking her neck.
Rights Advisory: No known restrictions on publication.
Call Number: LC-G4085- 0053 [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Notes: Title devised. Purchase; Genthe Estate; 1942 or 1943. ID: LC-G401-9093 (vd# 6859) Format: Lantern slides. Collections: Genthe Collection
Women's History Month: Isadora Duncan dancing. Creator(s): Genthe, Arnold, 1869-1942, photographer. From a negative taken between 1916 and 1918.
editing by sookietex More about this image and story at Public Domain Clip Art - http://publicdomainclip-art.blogspot.com/2010/09/isadora-duncan-dancing.html
Isadora Duncan's fondness for flowing scarves (as seen in this image) was the cause of her death in an automobile accident in Nice, France, on the night of September 14, 1927, at the age of 50.
Duncan was a passenger in the automobile of Benoît Falchetto. When Falchetto drove off Duncan's large hand-painted silk scarf from the Russian-born artist Roman Chatov draped around her neck and became entangled with one of the vehicle's open-spoked wheels and rear axle braking her neck.
Monday, September 13, 2010
Star Spangled Banner Flag that flew over Fort McHenry in 1814
This banner, the largest battle flag in existence, measures 36 by 29 feet. It was made by Mrs. Mary Young Pickersgill and her two nieces for exactly $405.90. The material was cut at Mrs. Pickersgill's home, "No. 60 Albemarle Street, Old Town" (Pratt and Albemarle Streets, Baltimore), and carried to a nearby brewery, where it was sewed together in anticipation of the British attack on the fort..
During the bombardment it was pierced by a number of shots. Recently the flag was restored at the National Museum, Washington, D. C., where it is considered one of the most precious possessions of that institution.
National star-spangled banner centennial, Baltimore, Maryland, September 6 to 13, 1914
National star-spangled banner centennial commission, Frank Albert O'Connell, William F. Coyle Munder-Thomsen Press, 1914 - History - 278 pages. Original from the New York Public Library. Digitized: Feb 12, 2008. imverted V shape to our left? It is an “A” sewn onto the flag by Louisa Armistead, widow of the commander of Ft. McHenry
Francis Scott Key, a Washington lawyer had come to Baltimore to negotiate the release of Dr. William Beanes, a civilian prisoner of war, witnessed the bombardment from a nearby truce ship.
When Key saw the flag emerge intact in the dawn of September 14, he was so moved that he began to compose the poem "The Defence of Fort McHenry" which would later be renamed "The Star-Spangled Banner" and become America's national anthem.
This Image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1923 are copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923, (in this case 1914) are now in the public domain.
Sunday, September 12, 2010
Lascaux Cave Painting
September 12, 1940 Lascaux cave paintings discovered. Lascaux, replica in the Brno museum Anthropos. The cave was discovered by four teenagers, Marcel Ravidat, Jacques Marsal, Georges Agnel, and Simon Coencas after following their dog down a narrow entrance into a cavern.
The 15,000- to 17,000-year-old Upper Paleolithic paintings consist mostly of realistic images of large animals, including aurochs, most of which are known from fossil evidence to have lived in the area at the time.
This image is a faithful reproduction of a two-dimensional work of art and thus not copyrightable in itself in the U.S. as per Bridgeman Art Library v. Corel Corp.; the same is also true in many other countries, including the European Union. The original two-dimensional work shown in this image is free content because:
This Image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1923 are copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923, (in this case aprox. 13,000 to 15,000 bce) are now in the public domain.
This image is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case aprox. 13,000 to 15,000 bce, and that most commonly runs for a period of 50 to 70 years from the last day of that year.
This from the photographer:
I (HTO), the copyright holder of this work, hereby release it into the public domain. This applies worldwide.
In case this is not legally possible: I (HTO) grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
The 15,000- to 17,000-year-old Upper Paleolithic paintings consist mostly of realistic images of large animals, including aurochs, most of which are known from fossil evidence to have lived in the area at the time.
This image is a faithful reproduction of a two-dimensional work of art and thus not copyrightable in itself in the U.S. as per Bridgeman Art Library v. Corel Corp.; the same is also true in many other countries, including the European Union. The original two-dimensional work shown in this image is free content because:
This Image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1923 are copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923, (in this case aprox. 13,000 to 15,000 bce) are now in the public domain.
This image is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case aprox. 13,000 to 15,000 bce, and that most commonly runs for a period of 50 to 70 years from the last day of that year.
This from the photographer:
I (HTO), the copyright holder of this work, hereby release it into the public domain. This applies worldwide.
In case this is not legally possible: I (HTO) grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
Saturday, September 11, 2010
Flight 93 National Memorial Shanksville, Pennsylvania
This construction photo of the Memorial Plaza was taken late July, 2010.
The initial phase of permanent construction of the Flight 93 National Memorial, including the visitor's center, will be completed by the 10th anniversary in 2011.
The memorial will be built around the crash site, following the plane's flight path, and protecting the area of impact, known as the "Sacred Ground", which will remain protected and accessible only to family members of the passengers and crew.
Each year over 130,000 people visit the Flight 93 National Memorial in rural southwestern Pennsylvania.
Ownership: Information created or owned by the NPS and presented on this website, unless otherwise indicated, is considered in the public domain. It may be distributed or copied as permitted by applicable law.
Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.
The Calm Shanksville, Pennsylvania Flight 93 Memorial late July, 2010. National Park Service photo (public domain) More about this image and story at Public Domain Clip Art - http://publicdomainclip-art.blogspot.com/2010/09/flight-93-national-memorial-shanksville.html
The initial phase of permanent construction of the Flight 93 National Memorial, including the visitor's center, will be completed by the 10th anniversary in 2011.
The memorial will be built around the crash site, following the plane's flight path, and protecting the area of impact, known as the "Sacred Ground", which will remain protected and accessible only to family members of the passengers and crew.
Each year over 130,000 people visit the Flight 93 National Memorial in rural southwestern Pennsylvania.
Ownership: Information created or owned by the NPS and presented on this website, unless otherwise indicated, is considered in the public domain. It may be distributed or copied as permitted by applicable law.
Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office.
The Calm Shanksville, Pennsylvania Flight 93 Memorial late July, 2010. National Park Service photo (public domain) More about this image and story at Public Domain Clip Art - http://publicdomainclip-art.blogspot.com/2010/09/flight-93-national-memorial-shanksville.html
Thursday, September 09, 2010
Alice B. Toklas
On September 9, 1910, Alice B. Toklas became the lifetime house mate of avant-garde writer Gertrude Stein. JPEG (17kb) || TIFF (125kb) Title: [Portrait of Alice B. Toklas, Chartres] Creator(s): Van Vechten, Carl, 1880-1964, photographer. Date Created/Published: 1949 Oct. 8. Medium: 1 photographic print : gelatin silver. Part of: Van Vechten, Carl, 1880-1964. Portrait photographs of celebrities Reproduction Number: LC-USZ62-42496 (b&w film copy neg.) Call Number: LOT 12735, no. 1096 [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. |
* Title derived from information on verso of photographic print.
* Van Vechten number: XXV GG.
* Also available on microfilm.
* Gift; Carl Van Vechten Estate; 1966.
* Forms part of: Portrait photographs of celebrities, a LOT which in turn forms part of the Carl Van Vechten photograph collection (Library of Congress).
Carl Van Vechten Photographs (LOTs 12735 and 12736) Rights and Restrictions Information.
Per the instrument of gift, "for a period of 20 years from the date of this Instrument [1966], none of the photographs contained in said collection may be sold, reproduced, published or given away in any form whatsoever except with my [Saul Mauriber, Photographic Executor for Van Vechten] express permission in writing." This restriction expired in 1986.
The Library of Congress believes that the photographs are in the public domain.
As the restrictions on this collection expired in 1986, the Library of Congress believes this image is in the public domain. The Carl Van Vechten estate has asked that use of Van Vechten's photographs "preserve the integrity" of his work, i.e, that photographs not be colorized or cropped, and that proper credit is given to the photographer.
Tuesday, September 07, 2010
Bushnell Turtle
Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1900) are now in the public domain.
In the first week of September, 1776, the American army defending New York still held Manhattan Island, but nothing more. Hastily improvised, badly equipped, and worse disciplined, it had been easily defeated by a superior invading force of British regulars and German mercenaries in the battle of Long Island. Brooklyn had fallen; from Montauk Point to the East River, all was the enemy's country. Staten Island, too, was an armed and hostile land. After the fall of the forts on both sides of the Narrows, the British fleet had entered the Upper Bay, and even landed marines and infantry on Governor's Island. Grimly guarding the crowded transports, the ship-of-the-line Asia and the frigate Eagle lay a little above Staten Island, with their broadsides trained on the doomed city.
In the mouth of the North River, not a biscuit-toss from the Battery, floated the brass conning-tower of an American submarine.
It was the only submarine in the world and its inventor called it the Turtle. He called it that because it looked like one: a turtle floating with its tail down and a conning-tower for a head. It has also been compared to a modern soldier's canteen with an extra-large mouthpiece, or a hardshell clam wearing a silk hat. It was deeper than it was long and not much longer than it was broad. It had no periscope, torpedo tubes, or cage of white mice. But the Turtle was a submarine, for all that.
In the first week of September, 1776, the American army defending New York still held Manhattan Island, but nothing more. Hastily improvised, badly equipped, and worse disciplined, it had been easily defeated by a superior invading force of British regulars and German mercenaries in the battle of Long Island. Brooklyn had fallen; from Montauk Point to the East River, all was the enemy's country. Staten Island, too, was an armed and hostile land. After the fall of the forts on both sides of the Narrows, the British fleet had entered the Upper Bay, and even landed marines and infantry on Governor's Island. Grimly guarding the crowded transports, the ship-of-the-line Asia and the frigate Eagle lay a little above Staten Island, with their broadsides trained on the doomed city.
In the mouth of the North River, not a biscuit-toss from the Battery, floated the brass conning-tower of an American submarine.
It was the only submarine in the world and its inventor called it the Turtle. He called it that because it looked like one: a turtle floating with its tail down and a conning-tower for a head. It has also been compared to a modern soldier's canteen with an extra-large mouthpiece, or a hardshell clam wearing a silk hat. It was deeper than it was long and not much longer than it was broad. It had no periscope, torpedo tubes, or cage of white mice. But the Turtle was a submarine, for all that.
Sunday, September 05, 2010
Dorothy melting Wicked Witch of The West Image, from Wizard of Oz
The Wicked Witch of The West, melting after being doused by Dorothy. From the first edition of The Wizard of Oz. Source: Library of Congress. Author: William Wallace Denslow, illustrator. Date: 1900. |
This image is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case William Wallace Denslow died March 29, 1915, and that most commonly runs for a period of 50 to 70 years from the last day of that year.
The little girl, seeing she had lost one of her pretty shoes, grew angry, and said to the witch,
"Give me back my shoe!"
"I will not," retorted the Witch, "for it is now my shoe, and not yours."
"You are a wicked creature !" cried Dorothy. "You have no right to take my shoe from me."
"I shall keep it, just the same," said the Witch, laughing at her, "and some day I shall get the other one from you, too."
This made Dorothy so very angry that she picked up the bucket of water that stood near and dashed it over the Witch, wetting her from head to foot.
Instantly the wicked woman gave a loud cry of fear, and then, as Dorothy looked at her in wonder, the Witch began to shrink and fall away.
"See what you have done!" she screamed. "In a minute I shall melt away."
"I'm very sorry, indeed," said Dorothy, who was truly frightened to see the Witch actually melting away like brown sugar before her very eyes.
"Didn't you know water would be the end of me?" asked the Witch, in a wailing, despairing voice.
"Of course not," answered Dorothy; "how should I?"
"Well, in a few minutes I shall be all melted, and you will have the castle to yourself. I have been wicked in my day, but I never thought a little girl like you would ever be able to melt me and end my wicked deeds. Look out—here I go!"
With these words the Witch fell down in a brown, melted, shapeless mass and began to spread over the clean boards of the kitchen floor. Seeing that she had really melted away to nothing, Dorothy drew another bucket of water and threw it over the mess. She then swept it all out the door. After picking out the silver shoe, which was all that was left of the old woman, she cleaned and dried it with a cloth, and put it on her foot again. Then, being at last free to do as she chose, she ran out to the courtyard to tell the Lion that the Wicked Witch of the West had come to an end, and that they were no longer prisoners in a strange land.
Friday, September 03, 2010
Ford Crown Victoria LX
Body style(s) four-door sedan. Layout: FR layout. Platform: Ford Panther platform.
I (IFCAR), the copyright holder of this work, hereby release it into the public domain. This applies worldwide.
In case this is not legally possible: I (IFCAR) grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
Thursday, September 02, 2010
General William Tecumseh Sherman and Union troops enter Atlanta
Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1580) are now in the public domain.
SUMMARY: Photograph of the War in the West. These photographs are of Sherman in Atlanta, September-November, 1864. After three and a half months of incessant maneuvering and much hard fighting, Sherman forced Hood to abandon the munitions center of the Confederacy.
Sherman remained there, resting his war-worn men and accumulating supplies, for nearly two and a half months. During the occupation, George N. Barnard, official photographer of the Chief Engineer's Office, made the best documentary record of the war in the West; but much of what he photographed was destroyed in the fire that spread from the military facilities blown up at Sherman's departure on November 15.
NOTES: Stereo filed in LOT 4191. Reference: Civil War photographs, 1861-1865 / compiled by Hirst D. Milhollen and Donald H. Mugridge, Washington, D.C. : Library of Congress, 1977. No. 0689
Title from Milhollen and Mugridge. Two plates form left (LC-B811-3623A) and right (LC-B811-3623B) halves of a stereograph pair; with variant view plate (LC-B811-3623D).
Forms part of Selected Civil War photographs, 1861-1865 (Library of Congress) MEDIUM: 2 negatives (3 plates) : glass, stereograph, wet collodion. CALL NUMBER: LC-B811- 3623.
PART OF:Selected Civil War photographs, 1861-1865 (Library of Congress) REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
SUMMARY: Photograph of the War in the West. These photographs are of Sherman in Atlanta, September-November, 1864. After three and a half months of incessant maneuvering and much hard fighting, Sherman forced Hood to abandon the munitions center of the Confederacy.
Sherman remained there, resting his war-worn men and accumulating supplies, for nearly two and a half months. During the occupation, George N. Barnard, official photographer of the Chief Engineer's Office, made the best documentary record of the war in the West; but much of what he photographed was destroyed in the fire that spread from the military facilities blown up at Sherman's departure on November 15.
NOTES: Stereo filed in LOT 4191. Reference: Civil War photographs, 1861-1865 / compiled by Hirst D. Milhollen and Donald H. Mugridge, Washington, D.C. : Library of Congress, 1977. No. 0689
Title from Milhollen and Mugridge. Two plates form left (LC-B811-3623A) and right (LC-B811-3623B) halves of a stereograph pair; with variant view plate (LC-B811-3623D).
Forms part of Selected Civil War photographs, 1861-1865 (Library of Congress) MEDIUM: 2 negatives (3 plates) : glass, stereograph, wet collodion. CALL NUMBER: LC-B811- 3623.
PART OF:Selected Civil War photographs, 1861-1865 (Library of Congress) REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Wednesday, September 01, 2010
The German Invasion of Poland September 1, 1939
Date: 1939 (event), 1943 (film). Source: Divide and Conquer (Why We Fight #3) Public Domain (U.S. War Department) Author: Frank Capra (film) Permission: No restrictions.
This work is in the public domain in the United States because it is a work of the United States Federal Government under the terms of Title 17, Chapter 1, Section 105 of the US Code.