Currier & Ives Tempting fruit

TITLE: Tempting fruit CALL NUMBER: PGA - Currier & Ives--Tempting fruit (A size) [P&P] REPRODUCTION NUMBER: LC-USZ62-10388 (b&w film copy neg.) No known restrictions on publication.

Digital ID: cph 3a12810 Source: b&w film copy neg. Reproduction Number: LC-USZ62-10388 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. Retrieve uncompressed archival TIFF version (1,550 kilobytes)

MEDIUM: 1 print : lithograph. CREATED, PUBLISHED: New York : Published by Currier & Ives, c1875. CREATOR: Currier & Ives. NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 6450

FORMAT: Lithographs 1870-1880. REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA DIGITAL ID: (b&w film copy neg.) cph 3a12810 hdl.loc.gov/cph.3a12810, CARD #: 2002695797

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZ62-10388]

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The depiction of inanimate objects is called "still life." Common subjects include flowers and fruit, tableware, books and newspapers, and musical instruments. The function of a still life may be straightforward representation, or the artist may intend to convey a more subtle, moral message.

Traditionally, still lifes and still-life elements of larger compositions have complex iconographical significance. For example, the presence of books, maps, or writing materials in portraiture refers to the sitter's knowledge and education. Cut flowers, a snuffed-out candle, or signs of decay in fruit and other food represent the transience of life and are meant to remind viewers of their own mortality. National Gallery of Art, Themes in American Art: Still Life

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Currier & Ives the Great West

TITLE: The great west. CALL NUMBER: PGA - Currier & Ives--Great west (A size) [P&P] REPRODUCTION NUMBER: LC-USZC2-2538 (color film copy slide) No known restrictions on publication.

Digital ID: cph 3b50412 Source: color film copy slide Reproduction Number: LC-USZC2-2538 (color film copy slide) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve High Resolution Image (50K)

MEDIUM: 1 print : lithograph. CREATED/PUBLISHED: New York : Published by Currier & Ives, c1870. CREATOR: Currier & Ives. NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 2879

FORMAT: Lithographs 1870. REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. DIGITAL ID: (color film copy slide) cph 3b50412 hdl.loc.gov/cph.3b50412 , CARD #: 2002695812

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZC2-2538]

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American Old West From Wikipedia, the free encyclopedia

The American Old West is comprised of the myths, legends, stories, and beliefs that collected around the Western United States from 1865 to 1890. Most often the term refers to the late 19th century, between the American Civil War and the 1890 closing of the frontier. Terms Old West and Wild West refer to life beyond the settled frontier.

While this terminology could logically place the setting as far back as the American colonial period, it is usually meant to signify the area from the "Frontier Strip" (i.e., the six U.S. states from North Dakota south to Texas) west to the Pacific Ocean. Sometimes the tier of states just east of the Frontier strip (Minnesota to Louisiana) are also seen as the "Wild West" because of their stance as gateways.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, American Old West

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Currier & Ives Native American Hiawatha's departure

TITLE: Hiawatha's departure, CALL NUMBER: PGA - Currier & Ives--Hiawatha's departure (B size) [P&P] REPRODUCTION NUMBER: LC-USZ62-5300 (b&w film copy neg.) No known restrictions on publication.

Digital ID: cph 3a08611 Source: b&w film copy neg. Reproduction Number: LC-USZ62-5300 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve High Resolution Image (77K)

MEDIUM: 1 print : lithograph. CREATED, PUBLISHED: New York : Published by Currier & Ives, c1868. CREATOR: Currier & Ives.

NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 3034

FORMAT: Lithographs 1860-1870. REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. DIGITAL ID: (b&w film copy neg.) cph 3a08611 hdl.loc.gov/cph.3a08611 , CARD #: 2002695863

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZ62-5300]

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Hiawatha From Wikipedia, the free encyclopedia

Hiawatha (also known as Ayenwatha or Ha-yo-went'-ha; Onondaga Hayę́hwàtha)[1] who lived (depending on the version of the story) in the 1100s, 1400s, or 1500s, was variously a leader of the Onondaga and Mohawk nations of Native Americans. Hiawatha was a follower of The Great Peacemaker, a prophet and spirtual leader who was credited as the founder of the Iroquois confederacy, (referred to as Haudenosaunee by the people).

If The Great Peacemaker was the man of ideas, Hiawatha was the politician who actually put the plan into practice. Hiawatha was a skilled and charismatic orator, and was instrumental in persuading the Iroquois peoples, the Senecas, Onondagas, Oneidas, Cayugas, and Mohawks, a group of Native North Americans who shared similar languages, to accept The Great Peacemaker's vision and band together to become the Five Nations of the Iroquois confederacy. (Later, in 1721, the Tuscarora nation joined the Iroquois confederacy, and they became the Six Nations).

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Hiawatha

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Currier & Ives Fruit Bowl Still Life

TITLE: An inviting dish CALL NUMBER: PGA - Currier & Ives--Inviting dish (A size) [P&P] REPRODUCTION NUMBER: LC-USZC2-2665 (color film copy slide), No known restrictions on publication.

Digital ID: cph 3b50539 Source: color film copy slide Reproduction Number: LC-USZC2-2665 (color film copy slide) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve High Resolution Image (52k)

MEDIUM: 1 print : lithograph. CREATED, PUBLISHED: New York : Published by Currier & Ives, c1870. CREATOR: Currier & Ives.

NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 3365, FORMAT: Lithographs 1870.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. DIGITAL ID: (color film copy slide) cph 3b50539, hdl.loc.gov/cph.3b50539, CARD #: 2002699727

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZC2-2665]

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Still life From Wikipedia, the free encyclopedia

A still life is a work of art depicting inanimate subject matter, typically commonplace objects which may be either natural (food, plants and natural substances like rocks) or man-made (drinking glasses, cigarettes, pipes, hotdogs and so on). Popular in Western art since the 17th century, still life paintings give the artist more leeway in the arrangement of design elements within a composition than do paintings of other types of subjects such as landscape or portraiture.

Still life paintings often adorn the walls of ancient Egyptian tombs. It was believed that the foodstuffs and other items depicted there would, in the afterlife, become real and available for use by the deceased. Similar paintings, more simply decorative in intent, have also been found in the Roman frescoes unearthed at Pompeii and Herculaneum. The popular appreciation of still life painting as a demonstration of the artist's skill is related in the ancient Greek legend of Zeuxis and Parrhasius.

Through the Middle Ages and the Renaissance, still life in Western art was mainly used as an adjunct to Christian religious subjects. This was particularly true in the work of Northern European artists, whose fascination with highly detailed optical realism and disguised symbolism led them to lavish great attention on the meanings of various props and settings within their paintings' overall message. Painters such as Jan van Eyck often used still life elements as part of an iconographic program.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Still life

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Currier & Ives Woodcock

TITLE: Woodcock. CALL NUMBER: PGA - Currier & Ives--Woodcock (A size) [P&P] REPRODUCTION NUMBER: LC-USZ62-33175 (b&w film copy neg.) No known restrictions on publication.

Digital ID: cph 3a33687 Source: b&w film copy neg. Reproduction Number: LC-USZ62-33175 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve uncompressed archival TIFF version (1,692 kilobytes)

MEDIUM: 1 print : lithograph. CREATED, PUBLISHED: New York : Published by Currier & Ives, c1871. CREATOR: Currier & Ives.

NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 7318. FORMAT: Lithographs 1870-1880.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

DIGITAL ID: (b&w film copy neg.) cph 3a33687 hdl.loc.gov/cph.3a33687 CARD #: 2002698857

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZ62-33175]

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Woodcock From Wikipedia, the free encyclopedia

The woodcocks are a group of seven extant very similar wading bird species in the genus Scolopax, characterised by a long slender bill and cryptic brown and blackish plumage. Only two woodcocks are widespread, the others being localised island species. Their closest relatives are the typical snipes of the genus Gallinago (Thomas et al., 2004).

These are woodland birds which feed at night or in the evenings, searching for invertebrates in soft ground with their long bills. Unlike in most birds the tip of the upper mandible is flexible.[1] This habit and their unobtrusive plumage makes it difficult to see them when they are resting in the day. Woodcocks are seen as a very timid and frail species because they rarely ever make any appearances and they can be frightened easily.

Most have distinctive displays, usually given at dawn or dusk. These are birds with stocky bodies and long bills. They have eyes set on the sides of their heads, which gives them almost 360° vision.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Woodcock

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Currier & Ives Horses The Leaders

TITLE: The leaders, CALL NUMBER: PGA - Currier & Ives--Leaders (D size) [P&P] REPRODUCTION NUMBER: LC-DIG-pga-00808 (digital file from original print) No known restrictions on publication.

Digital ID: pga 00808 Source: digital file from original print Reproduction Number: LC-DIG-pga-00808 (digital file from original print) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve higher resolution JPEG version (102 kilobytes)

MEDIUM: 1 print : chromolithograph. CREATED, PUBLISHED: New York : Published by Currier & Ives, c1888. CREATOR: Currier & Ives. NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 3742

FORMAT: Chromolithographs Color 1880-1890. REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA DIGITAL ID: (digital file from original print) pga 00808 http://hdl.loc.gov/loc.pnp/pga.00808 CARD #: 2002708514

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-DIG-pga-00808]

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Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 (THIS IMAGE) are now in the public domain.

Currier and Ives From Wikipedia, the free encyclopedia

Currier first worked as a printmaker in the firm of Stodart & Currier, and then later as N. Currier (1835-1856). Newspapers did not have pictures. Therefore, the public was interested in some source for pictures of recent newsworthy events. In 1835, Currier produced the print, "Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives." The print was moderately successful.

In 1840, he produced "Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished". The print was very successful, and Currier soon had a weekly insert in the New York Sun.

In 1852, Ives started working as the accountant for the firm. Ives improved the bookkeeping for the firm and also streamlined the print production process. In 1857, Ives became a partner in the firm. The two became close friends.

Currier and Ives described itself as "Publishers of Cheap and Popular Pictures". Their pictures were indeed hugely popular; from 1835 to 1907 they produced over a million prints by a process of hand-colored lithography. A staff of artists produced the lithographs. The colors were applied in an assembly-line style of operation, typically by German immigrant girls, each of whom added a single color to the print.

The prints depicted a variety of scenes in American life, including winter scenes, horse racing images, portraits of people, pictures of ships, pictures of sporting events, and ferocious battle scenes from the American Civil War.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Currier and Ives

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Currier & Ives Angels and Tree of Life

TITLE: The tree of life: on either side of the river was there the tree of life which bare twelve manner of fruits.--Rev. ch. XXII, 2. CALL NUMBER: PGA - Currier & Ives--Tree of life: on either... (C size) [P&P], REPRODUCTION NUMBER: LC-USZC2-3456 (color film copy slide), LC-USZC4-1494 (color film copy transparency). No known restrictions on publication.

Digital ID: cph 3b51330 Source: color film copy slide Reproduction Number: LC-USZC2-3456 (color film copy slide) , LC-USZC4-1494 (color film copy transparency) , LC-USZ62-25569 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve uncompressed archival TIFF version (4 megabytes)

MEDIUM: 1 print : chromolithograph. CREATED/PUBLISHED: New York : Published by Currier & Ives, c1892. CREATOR: Currier & Ives.

NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 6618, FORMAT: Chromolithographs Color 1890-1900.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

DIGITAL ID: (color film copy slide) cph 3b51330, hdl.loc.gov/cph.3b51330, (color film copy transparency) cph 3b52998 hdl.loc.gov/cph.3b52998, (b&w film copy neg.) cph 3a26490 hdl.loc.gov/cph.3a26490, CARD #: 2002697361

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZC2-3456]

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Revelation 22:2 - In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.

• THE RIVER OF EDEN AND TREE OF LIFE
• Revelation 22:2 Parallel Translations
• Apocalypse Unsealed: chapter 22

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Currier & Ives Great horses in a great race

TITLE: Great horses in a great race / J. Cameron. CALL NUMBER: PGA - Currier & Ives--Great horses in a great race (D size) [P&P], REPRODUCTION NUMBER: LC-DIG-pga-03207 (digital file from original print), LC-USZC2-3414 (color film copy slide),

No known restrictions on publication.

Digital ID: pga 03207 Source: digital file from original print Reproduction Number: LC-DIG-pga-03207 (digital file from original print) , LC-USZC2-3414 (color film copy slide) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve higher resolution JPEG version (91 kilobytes)

SUMMARY: Print showing race between Salvator and Tenny at Sheepshead Bay, New York, June 25th 1890. MEDIUM: 1 print : chromolithograph. CREATED/PUBLISHED: N.Y. : Published by Currier & Ives, c1891. CREATOR: Currier & Ives. NOTES: 34927 U.S. Copyright Office.

Title from item. Caption continues: The finish in the great match race for $5,000 a side and $5,000 added money, one mile and a quarter, at Sheepshead Bay, N.Y. June 25th 1890, between Salvator and Tenny. J.B. Haggin's Ch. c. Salvator by Prince Charlie Murphy 1. D.T. Pulsifer's B. c. Tenny by Rayon d'Or Garrison 2. Won by a neck only -- time 2:05.

Copyright 1891 by Currier & Ives, N.Y. (EXPIRED), Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 2841

SUBJECTS: Horse racing--1890. FORMAT: Chromolithographs Color 1890-1900. REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

DIGITAL ID: (digital file from original print) pga 03207, hdl.loc.gov/pga.03207 (digital file from color film copy slide) cph 3b51288 hdl.loc.gov/cph.3b51288 CARD #: 2006676683

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-DIG-pga-03207]

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Sheepshead Bay Race Track From Wikipedia, the free encyclopedia

Sheepshead Bay Race Track was an American Thoroughbred horse racing facility at Coney Island, New York. It was built by a group of prominent businessmen from the New York City area who formed the Coney Island Jockey Club in 1880. Led by Leonard Jerome and the track's President, William Kissam Vanderbilt, the Club held seasonal race cards at nearby Prospect Park fairgrounds until construction of the new race course was completed in 1884.

The new Sheepshead Bay Race Track's premier event was the Suburban Handicap and four years later in 1888 the first running of the Futurity Stakes took place on Labor Day. At the time, the Futurity was the richest race ever run in the United States. Today, both the Suburban and the Futurity are ongoing Graded stakes races held at the Belmont Park racetrack in Elmont on Long Island.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Sheepshead Bay Race Track

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Holidays, Happy New Year

TITLE: Happy new year, CALL NUMBER: PGA - Currier & Ives--Happy new year (A size) [P&P], REPRODUCTION NUMBER: LC-USZC2-2550 (color film copy slide), LC-USZ62-49696 (b&w film copy neg.). No known restrictions on publication.

Digital ID: cph 3b50424 Source: color film copy slide Reproduction Number: LC-USZC2-2550 (color film copy slide) , LC-USZ62-49696 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve uncompressed archival TIFF version (4 megabytes)

Additional versions and related images, Digital ID: cph 3a49798Source: b&w film copy neg. Medium resolution JPEG version (83 kilobytes) Retrieve uncompressed archival TIFF version (1,727 kilobytes)

MEDIUM: 1 print : lithograph, hand-colored. CREATED/PUBLISHED: New York : Published by Currier & Ives, c1876. CREATOR: Currier & Ives. NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 2949.

Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published works before 1923 are now in the public domain.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA.

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Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, e.g., LC-USZ62-90145]

DIGITAL ID: (color film copy slide) cph 3b50424, /hdl.loc.gov/cph.3b50424 , (b&w film copy neg.) cph 3a49798 hdl.loc.gov/cph.3a49798, CARD #: 2002695831

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Christnas, Currier & Ives- Merry Christmas

Christnas, Currier & Ives- Merry Christmas. TITLE: Merry Christmas, CALL NUMBER: PGA - Currier & Ives--Merry Christmas (A size) [P&P], REPRODUCTION NUMBER: LC-USZ62-1303 (b&w film copy neg.), No known restrictions on publication.

Digital ID: cph 3a05129 Source: b&w film copy neg. Reproduction Number: LC-USZ62-1303 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve uncompressed archival TIFF version (1,553 kilobytes)

MEDIUM: 1 print : lithograph. CREATED, PUBLISHED: New York : Published by Currier & Ives, c1876. CREATOR: Currier & Ives.

NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 4467

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA, DIGITAL ID: (b&w film copy neg.) cph 3a05129 hdl.loc.gov/loc.pnp/cph.3a05129 , CARD #: 2002710557

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Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, e.g., LC-USZ62-90145]

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Ships and Boats Racing Yachts

TITLE: Rounding the light ship. CALL NUMBER: PGA - Currier & Ives--Rounding the light ship (D size) [P&P], REPRODUCTION NUMBER: LC-USZC2-3532 (color film copy slide), LC-USZC4-1323 (color film copy transparency), MEDIUM: 1 print : chromolithograph.

CREATED/PUBLISHED: New York : Published by Currier & Ives, c1870.

Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published works before 1923 (THIS IMAGE) are now in the public domain.

Digital ID: cph 3b51406 Source: color film copy slide Reproduction Number: LC-USZC2-3532 (color film copy slide) , LC-USZC4-1323 (color film copy transparency) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve uncompressed archival TIFF version (4 megabytes)

Additional versions and related images, Digital ID: cph 3b52828Source: color film copy transparencyMedium resolution JPEG version (35 kilobytes) Retrieve uncompressed archival TIFF version (4 megabytes)

CREATOR: Currier & Ives. NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 5663, FORMAT: Chromolithographs 1870.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA, DIGITAL ID: (color film copy slide) cph 3b51406 hdl.loc.gov/loc.3b51406
(color film copy transparency) cph 3b52828 hdl.loc.gov/loc.3b52828, CARD #: 2001704211

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZC2-3532]

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Ships and Boats, New York clipper ship "Challenge"

TITLE: New York clipper ship "Challenge" CALL NUMBER: PGA - Currier & Ives--New York clipper ship... (A size) [P&P],

REPRODUCTION NUMBER: LC-USZC2-2882 (color film copy slide), LC-USZ62-50745 (b&w film copy neg.), No known restrictions on publication.

Digital ID: cph 3b50756 Source: color film copy slide Reproduction Number: LC-USZC2-2882 (color film copy slide) , LC-USZ62-50745 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve uncompressed archival TIFF version (4 megabytes)

Additional versions and related images, Digital ID: cph 3a50801Source: b&w film copy neg.Medium resolution JPEG version (60 kilobytes) Retrieve uncompressed archival TIFF version (1,628 kilobytes)

MEDIUM: 1 print : lithograph, hand-colored. CREATED/PUBLISHED: New York : Published by N. Currier, [between 1835 and 1856]

Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published works before 1923 (THIS IMAGE) are now in the public domain.

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, e.g., LC-USZC2-2882]

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NOTES: Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 4826.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

DIGITAL ID: (color film copy slide) cph 3b50756, hdl.loc.gov/loc.pnp/3b50756, (b&w film copy neg.) cph 3a50801 hdl.loc.gov/loc.pnp/3a50801 , CARD #: 2002710665

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Ships and Boats Clipper Ship Three Brothers

Clipper ship Three Brothers, 2972 tons: The largest sailing ship in the world, CALL NUMBER: PGA - Currier and Ives--Clipper ship Three Brothers, 2972 tons: ... (D size) [P and P].

REPRODUCTION NUMBER: LC-USZC2-3365 (color film copy slide)LC-USZ62-690 (b and w film copy neg.).

Digital ID: cph 3b51239 Source: color film copy slide Reproduction Number: LC-USZC2-3365 (color film copy slide) , LC-USZ62-690 (b and w film copy neg.) Retrieve uncompressed archival TIFF version (4 megabytes)

Additional versions and related images. Digital ID: cph 3a04608Source: b and w film copy neg.Medium resolution JPEG version (47 kilobytes) Retrieve uncompressed archival TIFF version (1,581 kilobytes)

MEDIUM: 1 print : lithograph, hand colored. CREATED, PUBLISHED: [New York] : Currier and Ives, 1875. CREATOR: Currier and Ives.

Summary: Most of the images in the Popular Graphic Art (Historical Print) Collection (PGA) are in the public domain.

Works published prior to 1978 were copyright protected for a maximum of 75 years. SeeCircular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published works before 1923 (THIS IMAGE) are now in the public domain.

Credit Line: Library of Congress, Prints and Photographs Division, [reproduction number, e.g., LC-USZC2-3365]

NOTES: 3507 U.S. Copyright Office. Currier and Ives : a catalogue raisonne / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 1288

DIGITAL ID: (color film copy slide) cph 3b51239 hdl.loc.gov/loc.pnp/3b51239 , (b and w film copy neg.) cph 3a04608 hdl.loc.gov/loc.pnp/3a04608, CARD #: 90716156

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Thanksgiving Home

TITLE: Home to Thanksgiving, CALL NUMBER: PGA - Currier & Ives--Home to Thanksgiving (D size) [P and P], REPRODUCTION NUMBER: LC-USZ62-15 (b&w film copy neg.)No known restrictions on publication.,.

MEDIUM: 1 print : lithograph., CREATED/PUBLISHED: New York : Published by Currier and Ives, c1867., CREATOR: Currier & Ives.

Digital ID: cph 3a04020 Source: b&w film copy neg. Reproduction Number: LC-USZ62-15 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve uncompressed archival TIFF version (1,550 kilobytes)

NOTES: Artist: George H. Durrie (signature on image). , On stone by: John Schutler (signature on image). , Currier & Ives : a catalogue raisonné / compiled by Gale Research. Detroit, MI : Gale Research, c1983, no. 3115 , FORMAT: Lithographs 1860-1870., REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA , DIGITAL ID: (b&w film copy neg.) cph 3a04020 hdl.loc.gov/loc.pnp/ CARD #: 2002695889

MARC Record line 540 a. No known restrictions on publication, Summary: Most of the images in the Popular Graphic Art (Historical Print) Collection (PGA) are in the public domain. Access: Permitted; subject to P&P policy on serving originals, which requires use of digital surrogates in preference to the original prints, when available.

Reproduction (photocopying, hand-held camera copying, photoduplication and other forms of copying allowed by "fair use"): Permitted; subject to P&P policy on copying, which prohibits photocopying of original prints. Publication and other forms of distribution: Most of the images in this collection were published before 1923 and are therefore in the public domain. A few images were published after this date and may be restricted by copyright.

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZ62-15]

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