Vlad Ţepeş Vlad the Impaler Dracula

Summary: Old painting of Vlad Ţepeş (English: Vlad the Impaler or Dracula, November or December, 1431 – December 1476.) Oil painting at Ambras Castle, Tirol, Austria. This image is a faithful reproduction of a two-dimensional work of art and thus not copyrightable in itself in the U.S. as per Bridgeman Art Library v. Corel Corp.; the same is also true in many other countries. The original two-dimensional work shown in this image is free content because: This image (or other media file) is in the public domain because its copyright has expired.

This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 are now in the public domain and also in countries that figure copyright from the date of death of the artist (post mortem auctoris) and that most commonly run for a period of 50 to 70 years from that date.

Vlad III the Impaler From Wikipedia, the free encyclopedia

Vlad III the Impaler (Vlad Ţepeş IPA: ['tsepeʃ] in common Romanian reference; also known as Vlad Dracula or Vlad Drăculea and Kazıklı Voyvoda in Turkish; November or December, 1431 – December 1476) was Prince (voivode) of Wallachia, a former polity that is now part of Romania. His three reigns were in 1448, 1456–62, and 1476. In the English-speaking world, Vlad is best known for the exceedingly cruel punishments he imposed during his reign and for serving as the primary inspiration for the vampire main character in Bram Stoker's popular Dracula novel.

As king, he maintained an independent policy in relation to the Ottoman Empire, and in Romania he is viewed by many as a prince with a deep sense of justice and a defender of Wallachia against Ottoman expansionism.

His Romanian surname Drǎculea, is derived from his father's title Dracul, meaning affiliation to and/or descent from "Dracul" (see Vlad II Dracul); the latter was a member of the Order of the Dragon created by Emperor Sigismund. Vlad's family had two factions, the Drăculeşti and the Dăneşti. The word "dracul" means "the Devil" in modern Romanian but in Vlad's day also meant "dragon" or "demon", and derives from the Latin word Draco, also meaning "dragon".

His post-mortem moniker of Ţepeş (Impaler) originated in his preferred method for executing his opponents, impalement — as popularized by medieval Transylvanian pamphlets. In Turkish, he was known as "Kazıklı Bey" IPA: [kɑzɨkˈɫɨ] which means "Impaler Prince". Vlad was referred to as Dracula in a number of documents of his times, mainly the Transylvanian Saxon pamphlets and The Annals of Jan Długosz.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Vlad III the Impaler

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Portrait of Picasso by Juan Gris

Portrait of Picasso, by Juan Gris (b. Mar. 13, 1887, d. May 11, 1927) 1912; Oil on canvas, 93.4 x 74.3 cm; Collection of Mrs. and Mrs. Leigh Block, Art Institute of Chicago (DC 13) This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years. High Resolution Image (817 × 1056 pixel, file size: 171 KB, MIME type: image/jpeg)

Juan Gris From Wikipedia, the free encyclopedia

José Victoriano González-Pérez (March 23, 1887 – May 11, 1927), better known as Juan Gris, was a Spanish painter and sculptor who lived and worked in France most of his life. His works are closely connected to the emergence of an innovative artistic genre—Cubism.

Born in Madrid, Gris studied mechanical drawing at the Escuela de Artes y Manufacturas in Madrid from 1902 to 1904, during which time he contributed drawings to local periodicals. From 1904 to 1905 he studied painting with the academic artist José Maria Carbonero.

In 1906 he moved to Paris and became friends with Henri Matisse, Georges Braque, Fernand Léger, and in 1915 was painted by his friend, Amedeo Modigliani. In Paris, Gris followed the lead of another friend and fellow countryman, Pablo Picasso. His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Georges Braque. (Although he regarded Picasso as a teacher, Gertrude Stein acknowledged that Gris "was the one person that Picasso would have willingly wiped off the map.")

Although he submitted darkly humorous illustrations to journals such as Le Rire, L'assiette au beurre, Le Charivari, and Le Cri de Paris, Gris began to paint seriously in 1910. By 1912 he had developed a personal Cubist style.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Juan Gris

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Mona Lisa La Gioconda (La Joconde)

Subject: The Mona Lisa (La Joconde), around 1503/1505, oil on cottonwood, 76,8 x 53 cm, Paris, Musée du Louvre This image is a faithful reproduction of a two-dimensional work of art and thus not copyrightable in itself in the U.S. as per Bridgeman Art Library v. Corel Corp.; the same is also true in many other countries. The original two-dimensional work shown in this image is free content because: This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 are now in the public domain and also in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case May 2, 1519, and that most commonly run for a period of 50 to 70 years from that date.

Mona Lisa From Wikipedia, the free encyclopedia

Mona Lisa, or La Gioconda (La Joconde), is a 16th century oil painting on a poplar panel by Leonardo Da Vinci. It is arguably the most famous painting in the world, and few other works of art have been subject to as much scrutiny, study, mythologizing and parody. It is owned by the French government and hangs in the Musée du Louvre in Paris. The painting, a half-length portrait, depicts a woman whose gaze meets the viewer's with an expression often described as enigmatic. It is considered by many to be Leonardo's magnum opus.

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Pablo Picasso Yo Picasso

Yo Picasso by Pablo Picasso (1901). This image is a faithful reproduction of a two-dimensional work of art and thus not copyrightable in itself in the U.S. as per Bridgeman Art Library v. Corel Corp.; the same is also true in many other countries.The original two-dimensional work shown in this image is free content because: This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

This inage is however not in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case April 8, 1973, and that most commonly runs for a period of 50 to 70 years from that date. If your use will be outside the United States please check your local law.

Pablo Picasso From Wikipedia, the free encyclopedia

Pablo Ruiz Picasso (October 25, 1881 – April 8, 1973) was a Spanish painter and sculptor. His full name was Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Clito Ruiz y Picasso. One of the most recognized figures in 20th century art, he is best known as the co-founder, along with Georges Braque, of cubism.

Pablo Picasso was born in Málaga, Spain, the first child of José Ruiz y Blasco and María Picasso y López. He was christened with the names Pablo, Diego, José, Francisco de Paula, Juan Nepomuceno, Maria de los Remedios, and Cipriano de la Santísima Trinidad.

Picasso's father was Jose Ruíz, a painter whose specialty was the naturalistic depiction of birds and who for most of his life was also a professor of art at the School of Crafts and a curator of a local museum. The young Picasso showed a passion and a skill for drawing from an early age; according to his mother,[3] his first word was "piz," a shortening of lápiz, the Spanish word for pencil.[4] It was from his father that Picasso had his first formal academic art training, such as figure drawing and painting in oil. Although Picasso attended art schools throughout his childhood, often those where his father taught, he never finished his college-level course of study at the Academy of Arts (Academia de San Fernando) in Madrid, leaving after less than a year.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Pablo Picasso

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John Graves Simcoe Canada Civic Day

Portrait of Colonel John Graves Simcoe, [ca. 1881] Lieutenant Governor of Upper Canada, 1791-96 George Theodore Berthon (1806-1892) Oil on canvas 109.2 x 83.8 cm (43" x 33") Government of Ontario Art Collection, 694156

This image is a faithful reproduction of a two-dimensional work of art and thus not copyrightable in itself in the U.S. as per Bridgeman Art Library v. Corel Corp.; the same is also true in many other countries, including Germany.The original two-dimensional work shown in this image is free content because: This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 are now in the public domain and those countries with a copyright term of life of the author plus 100 years or less. and in Canada According to s. 6 of the Act the copyright of a work lasts the life of the author plus 50 years from the end of the calendar year of death.

John Graves Simcoe From Wikipedia, the free encyclopedia

John Graves Simcoe (February 25, 1752 – October 26, 1806) was the first lieutenant governor of Upper Canada (modern-day southern Ontario plus the watersheds of Georgian Bay and Lake Superior) from 1791-1796. He founded York (now Toronto) and was instrumental in introducing institutions such as the courts, trial by jury, English common law, freehold land tenure, and for abolishing slavery in Upper Canada long before it was abolished in the British Empire as a whole (it had disappeared from Upper Canada by 1810, but wasn't abolished throughout the Empire until 1834).

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, John Graves Simcoe

Civic Holiday From Wikipedia, the free encyclopedia

Civic Holiday is the name given to the public holiday declared by the provincial government in Ontario.

The holiday may be known by a variety of names in different municipalities, including Simcoe Day in Toronto and Colonel By Day in Ottawa. "Civic Holiday" is the only name that is universally recognized by all Ontarians.

The August holiday falls on the first Monday in August. It is generally a low-key celebration of John Graves Simcoe, who was the first Lieutenant-Governor of Ontario (which was then known as Upper Canada).

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Civic Holiday

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Bronzino Venus, Cupid, Folly and Time

This image is a faithful reproduction of a two-dimensional work of art and thus not copyrightable in itself in the U.S. as per Bridgeman Art Library v. Corel Corp.; the same is also true in many other countries, including Germany. The original two-dimensional work shown in this image is free content because: This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years. High Resolution Image

Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 are now in the public domain. (Free for commercial use)

Bronzino, Venus, Cupid, Folly, and Time, c. 1545 Oil on panel, 5 ft 1 in x 4 ft 8 3/4 in (London, National Gallery of Art)

Around 1545, Agnolo Tori, called Bronzino (1503-72), painted a complex verbal allegory usually referred to as Venus, Cupid, Folly, and Time. It displays the ambivalence of the Mannerist period in life and art. It also illustrates the Mannerist taste for obscure imagery with erotic overtones. Da Vinci's Code

Venus, Cupid, Folly and Time From Wikipedia, the free encyclopedia

Venus, Cupid, Folly, and Time is an allegorical painting by the Florentine artist Agnolo Bronzino.

Around 1545, Bronzino was commissioned to create a painting which has come to be known as Venus, Cupid, Folly, and Time. It displays the ambivalence, eroticism and obscure imagery which is characteristic of the Mannerist period. Bronzino, who studied with Pontormo, painted in the highly etched and sculptural manner of Florentines.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Venus, Cupid, Folly and Time

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Elizabeth I of England Go Red For Women

Princess Elizabeth, age 13 in 1546, by Levina Teerlinc. Levina Teerlinc (born Bruges, ?1510–20; d London, 23 June 1576) was a Flemish miniaturist who served as a painter to the English court of Edward VI, Mary I and Elizabeth I. Download high-resolution version (500x667, 79 KB) The two-dimensional work of art depicted in this image is in the public domain worldwide due to the date of death of its author (the author has been dead for over 70 years), or due to its date of publication (it was first made public in the U.S. before 1923). Therefore this photographical reproduction is also in the public domain, at least in the United States (see Bridgeman Art Library v. Corel Corp.), in Germany, and in many other countries. Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published works before 1923 (THIS IMAGE) are now in the public domain.

Elizabeth I of England From Wikipedia, the free encyclopedia

Elizabeth I (7 September 1533 – 24 March 1603) was Queen of England, Queen of France (in name only), and Queen of Ireland from 17 November 1558 until her death. She is sometimes referred to as The Virgin Queen (as she never married), Gloriana, or Good Queen Bess, and was immortalized by Edmund Spenser as the Faerie Queene. Elizabeth I was the sixth and final monarch of the Tudor dynasty This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Elizabeth I of England.

Go Red For Women mobilizes women to join cause, fight heart disease

DALLAS — Go Red For Women Day. A national observance created by the American Heart Association, on Friday Feb. 2, 2007 thousands of people, including employees at more than 3,000 companies, national and local news anchors and talk-show hosts will wear red to support the cause. The red dress and the color red are symbols for women and heart disease and the American Heart Association’s Go Red For Women movement.

The Red Dress Pin – Get One. Give One. Thousands have already added the red dress pin to their fashion accessory collection to support the women and heart disease movement. This year, women are urged to get two free red dress pins – one to wear and one to share with someone they care about. You can get the pins by calling 1-888-MY-HEART.

Thousands of Americans will help women fight heart disease when they participate in the fourth year of the American Heart Association’s Go Red For Women initiative, as it gears up again in February.

Go Red For Women began in February 2004 to raise awareness that heart disease is women’s No. 1 killer. The grassroots campaign has since grown into a vibrant national movement as more women, men, celebrities, healthcare providers and politicians embrace and elevate the cause of women and heart disease.

The campaign provides women tips and information on healthy eating, exercise, and risk factor reduction, such as smoking cessation, weight maintenance, blood pressure control and blood cholesterol management.

“In 2004, we discovered an alarming fact — that women still don’t know heart disease is their No. 1 killer,” said Alice Jacobs, M.D., former president of the American Heart Association. “In fact, more women still believe that cancer is the greatest health problem facing them today. Go Red For Women is beginning to change that.”

Sponsored proudly by national sponsor Macy’s, with additional support from the PacifiCare Foundation and Bayer Aspirin.

Anyone can join Go Red For Women by calling 1-888-MY-HEART (1-888-694-3278) or visiting americanheart.org.

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Renoir, Dance at Le Moulin de la Galette

Le Bal au Moulin de la Galette (Dance at Le Moulin de la Galette). (1876.) Pierre-Auguste Renoir. The two-dimensional work of art depicted in this image is in the public domain worldwide due to the date of death of its author (it was published outside of the U.S. and the author has been dead for over 70 years), or due to its date of publication (it was first made public in the U.S. before 1923). Therefore this photographical reproduction is also in the public domain, at least in the United States (see Bridgeman Art Library v. Corel Corp.), in Germany, and in many other countries.

Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published works before 1923 (THIS IMAGE) are now in the public domain.

Pierre-Auguste Renoir, From Wikipedia, the free encyclopedia

Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, the child of a working class family. As a boy, he worked in a porcelain factory where his drawing talents led to him being chosen to paint designs on fine china. He also painted hangings for overseas missionaries and decorations on fans before he enrolled in art school. During those early years, he often visited the Louvre to study the French master painters.

In 1862 he began studying art under Charles Gleyre in Paris. There he met Alfred Sisley, Frederic Bazille, and Claude Monet. At times during the 1860s, he did not have enough money to buy paint. Although Renoir first exhibited paintings in 1864, recognition did not come for another ten years

One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette), is displayed above. The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre close to where he lived.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Pierre-Auguste Renoir.

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Claude Monet, Boulevard des Capucines

Claude Monet, Boulevard des Capucines, 1873, Oil on canvas, 79.4 x 59 cm - Nelson-Atkins Museum of Art, Kansas City. Download high resolution version (797x1076, 329 KB) The two-dimensional work of art depicted in this image is in the public domain worldwide due to the date of death of its author (the author has been dead for over 70 years), due to its date of publication (it was first made public in the U.S. before 1923). Therefore this photographical reproduction is also in the public domain, at least in the United States (see Bridgeman Art Library v. Corel Corp.), in Germany, and in many other countries. Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published works before 1923 (THIS IMAGE) are now in the public domain.

Claude Monet From Wikipedia, the free encyclopedia

Claude Monet also known as Oscar-Claude Monet or Claude Oscar Monet (November 14, 1840 – December 5, 1926)[1] was a French Impressionist painter. The term Impressionism is derived from the title of his painting Impression, Sunrise.

When Monet traveled to Paris to visit The Louvre, he witnessed painters copying from the old masters. Monet, having brought his paints and other tools with him, would instead go and sit by a window and paint what he saw. Monet was in Paris for several years and met several friends who were painters. They all painted in the impressionism style. One of those friends was Édouard Manet.

Monet was exceptionally fond of painting controlled nature: his own garden in Giverny, with its water lilies, pond, and bridge. He also painted up and down the banks of the Seine.

Between 1883 and 1908, Monet traveled to the Mediterranean, where he painted landmarks, landscapes, and seascapes, such as Bordighera. He painted an important series of paintings in Venice, Italy, and in London he painted two important series - views of Parliament and views of Charing Cross Bridge.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Claude Monet.

Vincent Willem van Gogh, Vase with twelve sunflowers

Vase with twelve sunflowers, 1888, Oil on canvas, Creator Name: Vincent Willem van Gogh. Date of birth: 1853-03-30, Location of birth: Groot-Zundert bei Breda, Date of death: 1890-07-29, Location of death: Auvers-sur-Oise bei Paris.

The two-dimensional work of art depicted in this image is in the public domain worldwide due to the date of death of its author (the author has been dead for over 70 years), or due to its date of publication (it was first made public in the U.S. before 1923). Therefore this photographical reproduction is also in the public domain, at least in the United States (see Bridgeman Art Library v. Corel Corp.), in Germany, and in many other countries.

Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published works before 1923 (THIS IMAGE) are now in the public domain.

Vincent van Gogh From Wikipedia, the free encyclopedia

Vincent Willem van Gogh, (March 30, 1853 in Zundert – July 29, 1890 in Auvers-sur-Oise) was a Dutch draughtsman and painter, classified as a Post-Impressionist. His paintings and drawings include some of the world's best known, most popular and most expensive pieces. He suffered from recurrent bouts of mental illness — about which there are many competing theories — and during one such episode, famously cut off a part of his left ear.

Van Gogh spent his early life working for a firm of art dealers, and after a brief spell as a teacher, became a missionary worker in a very poor mining region. He did not embark upon a career as an artist until 1880, at the age of 27. Initially he worked in sombre colours, until an encounter in Paris with Impressionism and Neo-Impressionism accelerated his artistic development. He produced all of his more than 2,000 works, including around 900 paintings and 1100 drawings or sketches, during the last ten years of his life. Most of his best-known works were produced in the final two years of his life, and in the two months before his death he painted 90 pictures.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Vincent van Gogh.

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Edouard Manet, Luncheon on the Grass

Name: Manet, Édouard. Date of birth: 1832-01-23, Location of birth: de: Paris, Date of death: 1883-04-30, Location of death: de: Paris, Work location: de: Paris. Download high resolution version (2024x1579, 289 KB)

The work of art depicted in this image and the reproduction thereof are in the public domain worldwide.

Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published works before 1923 (THIS IMAGE) are now in the public domain.

The Luncheon on the Grass, From Wikipedia, the free encyclopedia

The Luncheon on the Grass (Le déjeuner sur l'herbe), originally titled The Bath (Le Bain), is an oil on canvas painting by Édouard Manet. Painted between 1862 and 1863 it measures 208 by 264.5 centimetres (81.9 x 104.5 in). The juxtaposition of a female nude with fully dressed men sparked controversy when the work was first exhibited at the Salon des Refusés in 1863. The piece is now in the Musée d'Orsay, Paris.

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