Monday, April 30, 2007

Bronzino Venus, Cupid, Folly and Time

Bronzino Venus, Cupid, Folly and TimeThis image is a faithful reproduction of a two-dimensional work of art and thus not copyrightable in itself in the U.S. as per Bridgeman Art Library v. Corel Corp.; the same is also true in many other countries, including Germany. The original two-dimensional work shown in this image is free content because: This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years. High Resolution Image
Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 are now in the public domain. (Free for commercial use)

Bronzino, Venus, Cupid, Folly, and Time, c. 1545 Oil on panel, 5 ft 1 in x 4 ft 8 3/4 in (London, National Gallery of Art)

Around 1545, Agnolo Tori, called Bronzino (1503-72), painted a complex verbal allegory usually referred to as Venus, Cupid, Folly, and Time. It displays the ambivalence of the Mannerist period in life and art. It also illustrates the Mannerist taste for obscure imagery with erotic overtones. Da Vinci's Code

Venus, Cupid, Folly and Time From Wikipedia, the free encyclopedia

Venus, Cupid, Folly, and Time is an allegorical painting by the Florentine artist Agnolo Bronzino.

Around 1545, Bronzino was commissioned to create a painting which has come to be known as Venus, Cupid, Folly, and Time. It displays the ambivalence, eroticism and obscure imagery which is characteristic of the Mannerist period. Bronzino, who studied with Pontormo, painted in the highly etched and sculptural manner of Florentines.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Venus, Cupid, Folly and Time

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Sunday, April 29, 2007

This Day in History Joan of Arc

Joan of Arc, Saint, 1412-1431, Reproduction Number: LC-USZ62-121205, Library of Congress Prints and Photographs DivisionTITLE: [Joan of Arc, three-quarter length portrait, standing in field, facing front, clutching sword to chest], CALL NUMBER: BIOG FILE - Joan of Arc, Saint, 1412-1431 [P&P] REPRODUCTION NUMBER: LC-USZ62-121205 (b&w film copy neg.) MEDIUM: 1 photographic print. CREATED, PUBLISHED: c1920.
Digital ID: cph 3c21205 Source: b&w film copy neg. Reproduction Number: LC-USZ62-121205 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA Retrieve higher resolution JPEG version (108 kilobytes) Retrieve uncompressed archival TIFF version (12 megabytes)

NOTES: G60288 U.S. Copyright Office. Photograph of painting. REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. DIGITAL ID: (b&w film copy neg.) cph 3c21205 hdl.loc.gov/cph.3c21205 . CARD #: 99401200

This image is a faithful reproduction of a two-dimensional work of art and thus not copyrightable in itself in the U.S. as per Bridgeman Art Library v. Corel Corp.; the same is also true in many other countries, including Germany.The original two-dimensional work shown in this image is free content because: This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

At the age of 16, "voices" of Christian saints told Joan to aid Charles, the French dauphin, in gaining the French throne and expelling the English from France. Convinced of the validity of her divine mission, Charles furnished Joan with a small force of troops. She led her troops to Orleans, and on April 29, as a French sortie distracted the English troops on the west side of the city, Joan entered unopposed by its eastern gate. 1429 : Joan of Arc relieves Orleans

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