Monday, March 31, 2008

Spring Flowers, Purple Crocus, Yellow Daffodil, Glory of the Snow

Purple Crocus

Yellow Daffodil

Glory of the Snow
in time of daffodils (who know, the goal of living is to grow) forgetting why, remember how - e.e. cummings

Spring Flowers in Central Park New York City, New York, in the last week of march. Here we see Purple Crocus, the Yellow Daffodil or Narcissus and Chionodoxa forbesii or Glory of the Snow.

Daffodils, along with Crocuses and Snowdrops, are one of the earliest of spring flowers and are always a welcome sign that winter is finally over. - Central Park Flowers:

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If This image is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

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Sunday, March 30, 2008

Carousel Horses

Black Carousel Horse

Brown Carousel Horse

White Carousel Horse
Carousel Horses from The Central Park Carousel. New York City, New York.

One of the country's largest merry-go-rounds, it features fifty-eight hand-carved, brightly caparisoned horses and two ornate chariots. Wonderful examples of folk art, they were made by Solomon Stein and Harry Goldstein in 1908. - Carousel Horses

The original three-dimensional work shown in this image is free content because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

These 3-D works may however not be in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case Solomon Stein (1882–1937) and Harry Goldstein (1867–1945, and that most commonly runs for a period of 50 to 70 years from that date. If your use will be outside the United States please check your local law.
Image License: I, (sookietex) the creator of this work, hereby release it into the public domain. This applies worldwide. In case this is not legally possible, I grant any entity the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

If This image is subject to copyright in your jurisdiction, i (sookietex) the copyright holder have irrevocably released all rights to it, allowing it to be freely reproduced, distributed, transmitted, used, modified, built upon, or otherwise exploited in any way by anyone for any purpose, commercial or non-commercial, with or without attribution of the author, as if in the public domain.

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Saturday, March 29, 2008

Earth Hour City Lights from Space

Earth Hour City Lights from SpaceBright city lights along the coastline and interior delineate the eastern coast of the United States at night. Known as the “city that never sleeps,” New York City with its population of more than 8 million residents (in 2000) is the largest and brightest metropolitan area along the coast.
The metropolitan area straddles the Hudson River and spreads eastward over Long Island. Philadelphia is the second largest city in this image, situated south of New York (lower left in this scene). One of the most richly historic of U.S. cities, Philadelphia is where the Declaration of Independence was signed in 1776.

The crew of the International Space Station took this image from a vantage point well to the northeast of the cities, with the camera pointed westward back towards New York City and the coast. The result is that the perspective is highly distorted but still recognizable. Low clouds have formed over the waters of the Atlantic and have settled into some of the valleys of the Appalachian Mountains to the northwest.
Earth Hour City Lights from Space

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Friday, March 28, 2008

Second Passover services for Buchenwald survivors

Second Passover services for Buchenwald survivorsAmerican chaplain Rabbi Hershel Schaecter conducts Second Passover services for Buchenwald survivors shortly after liberation. [Photograph #26278]

Date: May 18, 1945. Locale: Buchenwald, [Thuringia] Germany. Credit: USHMM, courtesy of National Archives and Records Administration, College Park. Copyright: Public Domain
American chaplain Rabbi Hershel Schaecter conducts Second Passover services for Buchenwald survivors shortly after liberation.

Pictured in the first row wearing shorts is Robert Buechler, while the youth sitting in front of the lecturn, looking back at the camera, is Stefan Jakubowicz. Israel Meir Lau is pictured sitting third from left, in the first row, between two American soldiers. Seated in the second row are Jakub Chojt (left side, wearing a white shirt) and brothers, Yosl Bekiermaszyn, now Baker, (middle of the row, wearing a black jacket) and Boruch Bekiermaszyn (two to the right of him). Seated in the front row (sixth from the right, wearing dark coat) is Izak Farbman.

The Shavuot service commemorates the giving of the Torah on Mount Sinai. The previous month, Rabbi Schachter had also led a Second Passover service since the survivors did not have a chance to celebrate Passover on its actual date. The day after this Shavuot service was held, a group of Jewish children were repatriated to their homes in Czechoslovakia.

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Thursday, March 27, 2008

the Alamo San Antonio Texas

the Alamo San Antonio, TexasDigital ID: cph 3b34239 Source: b&w film copy neg. Reproduction Number: LC-USZ62-87798 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. Retrieve uncompressed archival TIFF version (1,787 kilobytes)
TITLE: The front of the Alamo through the compound gate, San Antonio, Texas. CALL NUMBER: U.S. GEOG FILE - TEXAS [item] [P&P]. REPRODUCTION NUMBER: LC-USZ62-87798 (b&w film copy neg.) RIGHTS INFORMATION: No known restrictions on publication.

MEDIUM: 1 photographic print. CREATED, PUBLISHED: c1922. NOTES: Photoprint copyrighted by Underwood & Underwood. No. 289,176/F. No copyright renewal. This record contains unverified data from caption card.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. DIGITAL ID: (b&w film copy neg.) cph 3b34239 loc.pnp/cph.3b34239 CONTROL #: 2002716229

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZ62-87798]

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Wednesday, March 26, 2008

State Income Taxes

State Income TaxesState income tax From Wikipedia, the free encyclopedia

State income tax is an income tax in the United States that is levied by each individual state.
Some states choose to impose no income tax. These states are Alaska, Florida, Nevada, South Dakota, Texas, Washington, and Wyoming. Additionally, New Hampshire and Tennessee limit their state income taxes to dividends and interest income only. As of 2007, the highest rate of state income tax is that of Vermont, with a maximum rate of 9.5%. Of those states which impose an income tax, the lowest maximum rate is that of Illinois, which levies a flat tax of 3%.

Most states (36) have a progressive income tax, where the rate rises as an income gets larger. In California, for instance, the rate begins at 1% at $6,622 in income and rises to 9.3% over $43,468. In 2005, California added a mental health tax of 1% on incomes greater than $1,000,000, making the marginal income tax rate in California 10.3% at the extreme income ranges.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article, Lilium longiflorum SEE FULL License, Credit and Disclaimer

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Tuesday, March 25, 2008

Passover Haggadah (Seder Haggadah shel Pesah)

Passover Haggadah (Seder Haggadah shel Pesah)Seder Haggadah shel Pesah (Passover Haggadah) (Amsterdam, 1695). Moses (right and above) and Aaron, his older brother and the founder of the Jewish priesthood, are depicted on the title page of the Amsterdam Haggadah.

An equally influential haggadah, which became the prototype for subsequent Ashkenazi haggadot, appeared in Amsterdam in 1695. Known as "The Amsterdam Haggadah,"
it was extensively illustrated with copper engravings executed by the proselyte Abraham ben Jacob, who based his depictions on those of Matthaeus Merian, a Christian artist popular in the early seventeenth century. The Amsterdam Haggadah's illustrations were widely imitated and copied over the course of the next century both in printed works and in manuscripts. Beauty in Holiness

This image (or other media file) is in the public domain because its copyright has expired.

This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain and also in countries that figure copyright from the date of death of the artist (post mortem auctoris) and that most commonly run for a period of 50 to 70 years from that date.

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Monday, March 24, 2008

The Jewish passover of 1858

The Jewish passover of 1858Digital ID: cph 3b22239 Source: b&w film copy neg. Reproduction Number: LC-USZ62-74996 (b&w film copy neg.) Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA.
Retrieve uncompressed archival TIFF version (1,524 kilobytes)

TITLE: The Jewish passover of 1858. CALL NUMBER: Illus. in AP2.L52 1858 (Case Y) [P&P] REPRODUCTION NUMBER: LC-USZ62-74996 (b&w film copy neg.) RIGHTS INFORMATION: No known restrictions on publication.

SUMMARY: 2 illustrations of kosher bakery, Chatham St., N.Y.C. 1. General view of preparing an dbaking metzoth, the unleavened bread for the passover; 2. Weighing an kneading of the flour in presence of the Rabbi. MEDIUM: 1 print : wood engraving. CREATED, PUBLISHED: 1858.

NOTES: Illus. in: Frank Leslie's Illustrated Newspaper, 1858 April 10, p. 296. Reference copy may be in SSF - Jews--Rites and Ceremonies (1858). This record contains unverified, old data from caption card, with subsequent revisions. Caption card tracings: Jews--Rites; Bread; Industry; Geogr.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. DIGITAL ID: (b&w film copy neg.) cph 3b22239 hdl.loc.gov/loc.pnp/ CONTROL #: 2003678366

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZ62-74996]

MARC Record Line 540 - No known restrictions on publication.

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Sunday, March 23, 2008

Christ's resurrection from the tomb

Christ's resurrection from the tombTITLE: [Christ's resurrection from the tomb] CALL NUMBER: PH - Day (F.H.), no. 140 (A size) [P&P] REPRODUCTION NUMBER: LC-DIG-ppmsca-08392 (digital file from original photograph) LC-USZ62-52958 (b&w film copy neg.) RIGHTS INFORMATION: No known restrictions on publication.

Digital ID: cph 3b00936. Source: digital file from b&w film copy neg. Medium resolution JPEG version (72 kilobytes) Retrieve uncompressed archival TIFF version (1,623 kilobytes)
SUMMARY: F. Holland Day portraying Jesus Christ coming out of the tomb. MEDIUM: 1 photographic print on 2 mounts : platinum. CREATED, PUBLISHED: [1896 or 1898] CREATOR: Day, F. Holland (Fred Holland), 1864-1933, photographer.

NOTES: Mounts are layered top to bottom: greenish buff, grey. May be hand colored. Image content featurees: MODEL--F.H. Day; PEOPLE--Men. Title and other data comes from a curatorial worksheet compiled at LC in 1992-93. Forms part of the Louise Imogen Guiney Collection.

Cite as: The Louise Imogen Guiney Collection, Library of Congress, Prints & Photographs Division. Transfer; Manuscript Division; 1934 (DLC/PP-1934:33). Anonymous gift to the Library of Congress, 1934.

Exhibited: "Corpus Christi" Silverstein Gallery, New York, New York, 2005. Exhibited: Revelation: Representations of Christ in photography, Israel Museum, Jerusalem, 2002-2004.

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

DIGITAL ID: (digital file from original photograph) ppmsca 08392 hdl.loc.gov/loc.pnp (digital file from b&w film copy neg.) cph 3b00936 hdl.loc.gov/loc.pnp CONTROL #: 2002719316

Credit Line: Library of Congress, Prints & Photographs Division, [reproduction number, LC-USZ62-52958]

MARC Record Line 540 - No known restrictions on publication.

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