Friday, August 19, 2011

Nat Turner

William Henry Shelton’s wood engraving illustration of Benjamin Phipps's, “Discovery of Nat Turner,” (1800-1831) on October 30, 1831, which first appeared in 1882 in A Popular History of the United States.

This IMAGE (or other media file) is in the public domain because its copyright has expired. This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" PDF from the U.S. Copyright Office. Works published before 1923 (in this case 1831) are now in the public domain.

This image is also in the public domain in countries that figure copyright from the date of death of the artist (post mortem auctoris), in this case William Henry Shelton (1840–1932), and that most commonly runs for a period of 50 to 70 years from the last day of that year.

Nat Turner's Insurrection from: A social history of the American negro, being a history of the negro probrlem in the United States, including a history and study of the republic of Liberia

Nat Turner


Nat Turner

Nat Turner

About noon on Sunday, August 21, 1831, on the plantation of Joseph Travis at Cross Keys, in Southampton County, in Southeastern Virginia, were gathered four Negroes, Henry Porter, Hark Travis, Nelson Williams, and Sam Francis, evidently preparing for a barbecue. They were soon joined by a gigantic and athletic Negro named Will Francis, and by another named Jack Reese. Two hours later came a short, strong-looking man who had a face of great resolution and at whom one would not have needed to glance a second time to know that he was to be the master-spirit of the company.

Seeing Will and his companion he raised a question as to their being present, to which Will replied that life was worth no more to him than the others and that liberty was as dear to him. This answer satisfied the latest comer, and Nat Turner now went into conference with his most trusted friends. One can only imagine the purpose, the eagerness, and the firmness on those dark faces throughout that long summer afternoon and evening. When at last in the night the low whispering ceased, the doom of nearly three-score white persons—and it might be added, of twice as many Negroes—was sealed.

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