Showing posts with label Baseball 2. Show all posts
Showing posts with label Baseball 2. Show all posts

Thursday, October 16, 2008

Baseball Making of a Big Leaguer 3

Baseball Making of a Big Leaguer 3The American Magazine. Published by Crowell-Collier Pub. co., 1913. Item notes: v.76 1913 Jul-Dec. Original from the University of Michigan. Digitized Feb 5, 2008

Text by High S. Fullerton. Illustrations by G. P. Hoskins
This image (or other media file) is in the public domain because its copyright has expired.

This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

The Story of One of the Great Ball Players of the Country as Told by Himself to •
Hugh S. Fullerton With only one week of training, The move confused the catcher, the ball hit the edge of his mitt, the runner reached second, and scored when I cracked out a hit . Illustrations by G. P. Hoskins

With two boys batting the runner in One, Two, Three has little chance to reach the plate unless the fellow at bat gives him a chance. If Wiggle reached tirst I would poke my bat at the ball, not intending to hit it, but to confuse the catcher and let my partner get around the bags. Then he would do the same for me.

One of the greatest triumphs of my life was the day Wiggle and I took the bat at the start of recess and held it for half an hour without being put out. This triumph was greater than it seems to you, for Wiggle and I were "Country Jakes," and the chief reason that I became a ball player was that I desired to show the town boys a "Jake"
could play.

When I was fourteen years old the town team chose me as right fielder for the First Nine. It was proof that they regarded me as a good player, but even better proof that the manager did not know much about the game. In fact he did not. He was manager because he had collected the money to buy the uniforms. I muffed three easy flies in the first game and was heart-broken until the town paper praised me.

Evidently they didn't expect right fielders to catch fly balls. I often have wished for a critic like that. He spoke in glowing terms of the two runs I scored and neglected to mention the muffs, even in the error column.

Two weeks later we were going to play the return game in a rival town. The shortstop's "Paw" wouldn't let him stop thinning the corn, so they found another right fielder, put me at short, and forced my life's vocation upon me. Besides, I pitched the last three innings and, as we won 28 to 5, I became a hero.

Father came near spoiling a great ball player right then. He told me he didn't want any more of that ball playing foolishness except at Thanksgiving and Christmas, so I hoed corn most of that season. I played a couple of games in the fall and a few more in the spring. I was pitcher and Wiggle catcher for the first town nine and, just for fun, we organized the Country Jake team to play the town boys. It was that game that made me a big league player.

We were pressed for players to fill the Jake team. Father had a hired man named Ned, a tall, quiet fellow with a pair of blue eyes that seemed always about to laugh but seldom did. He had been with us a year. He got drunk periodically, and after each spree Father hunted him up and brought him back to work. We asked him to play with us, and he laughed and said he reckoned he would try to play first base if "Paw" would let him off. I fixed it with Father, and Ned played first barehanded, making catches and stops that filled us with astonishment. Also he made five home runs, two into the railroad pond and three into the barn lot back of left field. Walking home that evening he told me he had played ball professionally, yet it was not until two years later that I learned he once had been a famous outfielder with a great team.

ED took much interest in our base- ball after that. Often, when we were resting while the horses finished their dinner, he would say, "Want to show me some more about that game, Jimmy?" and then proceed to show me how it should be played. Under his teaching I advanced rapidly and, at fifteen, was shortstop, change pitcher and change catcher for the town team.

I knew more baseball than any of the others, and was trying to teach them the things shown me by Old Ned (he was thirty-nine then, his career ended, money gone, and a farmhand). Whether Ned noticed natural aptitude in me or not is not certain. He coached me carefully, and seldom failed to be on hand when we played a match game. Our village was within one hundred miles of Cincinnati, and we commenced to read baseball in the papers.

Ren Mulford was my authority. Often Ned would sit with me at night explaining plays or, more likely, reading the story of the game and telling me not only what the players had done, but what they were trying to do. The American Magazine

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Wednesday, October 15, 2008

Baseball Making of a Big Leaguer 2

The move confused the catcher, the ball hit the edge of his mitt, the runner reached second, and scored when I cracked out a hitThe American Magazine. Published by Crowell-Collier Pub. co., 1913. Item notes: v.76 1913 Jul-Dec. Original from the University of Michigan. Digitized Feb 5, 2008

Text by High S. Fullerton. Illustrations by G. P. Hoskins
This image (or other media file) is in the public domain because its copyright has expired.

This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

The Story of One of the Great Ball Players of the Country as Told by Himself to •
Hugh S. Fullerton With only one week of training, The move confused the catcher, the ball hit the edge of his mitt, the runner reached second, and scored when I cracked out a hit . Illustrations by G. P. Hoskins

But you want to know the story of my life. I was born on a farm in the outskirts of a small town and played ball just like other kids. I was a poor fly catch but always could run and throw.

There was only one boy of my size in school who could throw a stone as far as I could. That was "Wiggle." I remember that fact because one day the teacher got the boys into a throwing match and, after we all had had three throws, he decided that either Wiggle or I had broken the 'window, as none of the others could throw from the woodlot to the schoolhouse.

He was quite a Sherlock. When I was twelve I had to walk nearly three miles to the town school. Wiggle and I used to play around every day after school, then run all the way home to be in time to do the chores. The spring that we started to the town school I was initiated into the mysteries of baseball for the first time.

We didn't play baseball except on Saturdays and holidays, but had a game much resembling it that did not require so many players. We called the game "One Two, Three." In this game the nine players took their positions as in baseball, and two, sometimes three, were batters.

The object was to remain at bat as long as possible without being put out. When a batter was put out he went to right field, the right fielder went to center field and the others moved up. so that nine players must be retired before another chance to bat was given.

Even then the baseball instinct must have been active. At third base and shortstop I felt more confident and I figured out plays. Wiggle was the only other fellow from our neighborhood who went to the town school, and we used team work and figured out plays while going to and from school. Also we commenced to play ball at the farm, I as pitcher and Wiggle as catcher, and when 1 mastered an out curve I branched out
as a real pitcher.

With Wiggle as my catcher we found little trouble in fooling batters. Pretty soon we commenced to scheme to keep in bat as long as possible. Neither of us had read of or seen any real baseball, but we made up plans to get around the bases. The American Magazine

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Tuesday, October 14, 2008

Baseball Making of a Big Leaguer

Baseball Making of a Big LeaguerThe American Magazine. Published by Crowell-Collier Pub. co., 1913. Item notes: v.76 1913 Jul-Dec. Original from the University of Michigan. Digitized Feb 5, 2008

Text by High S. Fullerton. Illustrations by G. P. Hoskins
This image (or other media file) is in the public domain because its copyright has expired.

This applies to the United States, where Works published prior to 1978 were copyright protected for a maximum of 75 years. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office. Works published before 1923 are now in the public domain.

The Story of One of the Great Ball Players of the Country as Told by Himself to •
Hugh S. Fullerton With only one week of training, I pitched the first game and won easily. Illustrations by G. P. Hoskins

BASEBALL writers and "fans" speak of me as a veteran. While the aches and pains of spring training are on me I read that I'm reaching the has-been stage and that some youngster probably will get my job.

By June they forget my age. I'm old enough in baseball to grin at these things and work all the harder to get my arms, back, and legs into condition to stand another one hundred and fifty four games of baseball.

Some of the writers watching me in the spring accuse me of loafing and of having lost my "pepper." The majority of fellows who write these things are older than I am,
yet they regard me as an old man. One, whose writings I studied when I was fourteen, says I'm getting too old, and his spring reports read like an obituary notice of me.

I am an old man — thirty-four. But sixteen of the thirty-four years have been spent in baseball. My throwing arm is worn out. The shoulder is muscle- bound at the back and damaged in front, through overuse. My legs are bad and one muscle knots into "Charley Horse" at the least provocation. My back muscles are strained. The doctor tells me my heart will be all right if I quit overtaxing it. \ am badly scarred from toe to knee by spike wounds, and limp a little because of a broken bone in my instep. One finger is permanently crippled and two are out of plumb. I am slightly deaf from being hit on the ear by a pitched ball, and I suffer from headaches and frequent attacks of rheumatism.

In other respects I'm strong and healthy, and my appetite is fine. If the manager knew all that is the matter with me he would either try to trade me or send me to the minors. However, I am not going to the minors. When they say I'm done in the big show, which probably will be this season or next spring at the latest, I'll pack my bats and a trunkful of practice balls and trot back to the farm. Honestly, I'm longing for that time to come.

V^OU have asked me to tell the story ^ of a ball player's life, and I'll stick as closely to facts as possible without revealing my identity. I have few complaints to make against it, although I suppose I have complained about sleeping cars, bad hotels, and such things as much as anyone. My ambition was to be a big league player. I have been one. I have seen a lot of the world and had a good time.

I have polished up from a raw, green country boy to one of fairly good tastes and manners, and I've learned more than if I had gone to college. I have met and have made friends of men and women with whom I never could have talked but for the fact I was a ball player, and they have broadened and educated me. Financially I am worth about seventeen thousand dollars in land and property, yet I do not count that as my chief material advantage — that is the business training I have acquired and the confidence of men of means, who are willing to back me in any business and to a considerable extent. The American Magazine

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Thursday, October 09, 2008

Tampa Bay Rays Tropicana Field

Tampa Bay Rays Tropicana FieldTampa Bay Rays Tropicana Field, satellite view, nasa world wind 1.3.5, Permission: (Reusing this image) PD-USGOV-NASA.
Image Credit: NASA, As work of the U.S. federal government, this image is in the public domain.

Note: This only applies to works of the Federal Government and not to the work of any individual U.S. state, territory, commonwealth, county, municipality, or any other subdivision.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

NASA images generally are not copyrighted. Unless otherwise noted, images and video on NASA public web sites (public sites ending with a nasa.gov address) may be used for any purpose without prior permission.

If the NASA material is to be used for commercial purposes, especially including advertisements, it must not explicitly or implicitly convey NASA's endorsement of commercial goods or services.
Tampa Bay Rays Tropicana FieldDescription: A view from the outfield Tropicana Field's infamous catwalks. 04:10, 26 October 2007
Licensing: This image has been (or is hereby) released into the public domain by its author, Zeng8r at the English Wikipedia project. This applies worldwide.

In case this is not legally possible: Zeng8r grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
Tampa Bay Rays Tropicana FieldPicture taken on 7/8/2006, a game which featured the Tampa Bay Devil Rays and the New York Yankees. Elb2000 12:11, 16 February 2007 (UTC)
Licensing: This image has been (or is hereby) released into the public domain by its author, Elb2000 at the English Wikipedia project. This applies worldwide.

In case this is not legally possible: Elb2000 grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

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Monday, October 06, 2008

Milwaukee Brewers Miller Park

Milwaukee Brewers Miller ParkMilwaukee Brewers Miller Park satellite view, nasa world wind 1.3.5, Permission: (Reusing this image) PD-USGOV-NASA.
Image Credit: NASA, As work of the U.S. federal government, this image is in the public domain.

Note: This only applies to works of the Federal Government and not to the work of any individual U.S. state, territory, commonwealth, county, municipality, or any other subdivision.

Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States. See Circular 1 "COPYRIGHT BASICS" from the U.S. Copyright Office.

NASA images generally are not copyrighted. Unless otherwise noted, images and video on NASA public web sites (public sites ending with a nasa.gov address) may be used for any purpose without prior permission.

If the NASA material is to be used for commercial purposes, especially including advertisements, it must not explicitly or implicitly convey NASA's endorsement of commercial goods or services.

RELATED: Miller Park is a ballpark located in Milwaukee, Wisconsin. It is home to the Milwaukee Brewers and was built as a replacement for Milwaukee County Stadium. Miller Park (Milwaukee) From Wikipedia